Critics

Pink, purple, green, orange, yellow, and warm tones, giving an strong body , which granted its mix touches of white space, as if the fabric suffered an electric shock: where the background color is wider and longer, then the brush creates vibrations and dynamism.”
Marta Casati
Italian Critic

“Sinclair's paintings are boldly executed, born to a shadow of opening in the path of art history.”
James Mann
Curator
Las Vegas, Art Museum

“The peculiarity of Olga's work lies in the arrangement of the form (...) the objects (kind of), and the reflection of light rays, which shape the global sphere of her work.”
Simon Simorangkir
Pintor
Jakarta, Indonesia


In Olga Sinclair’s work, time is arbitrary and unpredictable; it crosses established dimensions and links present and past, preterit and imperfect. These leaps and variations settle in the work, fermenting from one painting to the next, until a general solution, very typical of this time in a constant state of transition is reached: The permanence of the ephemeral.
Jose Manuel Springer
Critic and  historian, Mexico