Critics
Pink, purple, green, orange,
yellow, and warm
tones,
giving an strong body , which granted its mix touches of white space, as
if the
fabric suffered an electric shock: where the background color is wider
and
longer, then the brush creates vibrations and dynamism.”
Marta
Casati
Italian Critic
“Sinclair's paintings are boldly executed, born
to a
shadow of opening in the path of art history.”
James Mann
Curator
Las Vegas, Art Museum
“The peculiarity of Olga's work lies in the
arrangement of the form (...) the objects (kind of), and the reflection
of
light rays, which shape the global sphere of her work.”
Simon Simorangkir
Pintor
Jakarta, Indonesia
In Olga Sinclair’s work, time is arbitrary and
unpredictable; it crosses established dimensions and links present and past,
preterit and imperfect. These leaps and variations settle in the work,
fermenting from one painting to the next, until a general solution, very
typical of this time in a constant state of transition is reached: The
permanence of the ephemeral.
Critic and
historian, Mexico
